210304 - Old Tribal used African Yombe phemba (maternity) statue - Congo.

€225.00

Old Tribal used African Yombe phemba (maternity) statue, Congo.

This type of figure has protecting function.

Hand carved from a single piece of hardwood, with really glass eyes.

This statue have a medicin bag on the front with glass.

Heights: 28 cm.

In 1981 there was an estimated 15,000 people of the Yombe, living in an area of 625 square miles (1,620 km2). This group refers to people among the tumbuka of Zambia.[self-published source] Yombe is one of the six foreign groups who invaded Tumbuka people after 1760. Another group, also referred to as the Yombe people, live in the south-western part of the Republic of the Congo, with others living in the Democratic Republic of the Congo and Angola. This group refers to people among the Kongo.

The Yombe are primarily involved in agricultural production, growing crops such as plantains, maize, beans, manioc, peanuts, and yams. Though they grow primarily for food supply, they also sell their crops at the market. Goats, pigs and chickens are raised and fishing is practised on the Congo River. Adept at crafts and art, the men are involved in weaving, carving, and smelting, and the women make clay pots.

The artistry of Yombe figurines and statues is well known, usually objects of prestige, kings seated on the throne, or female phemba (maternity) statues. Nkisi nkonde figurines, masks and drums are also made for ceremonies. Their funerary figures are renowned for their realistic depictions.

The supreme deity of the Yombe is Ngoma Bunzi, who hails from an unreachable realm called Yulu. He is contacted via Nzambi a Tsi (earth spirits) and Simbi (river spirits). The Yombe people build shrines as memorials to prominent ancestors, such as village chiefs who has special powers. The Yombe people of northern Zambia believe that people have three different identities: biological, social, and spiritual. Their social standing affects the type of funeral which might be given.

Literature : R. Lehuard : Art Bakongo part Ii, Arnouville , 1989 , pp. 571- 582.2