230841 - Antique Terracotta Nok statue - Nigeria

Terracotta NOK statue - Nigeria

This NOK statue measures 43 cm in height and more then 2 kilo.

Several places has been repaired and missing parts.

This NOK statue was collected in my private collection in 2002.
The Nok culture (or Nok civilization) is a population whose material remains are named after the Ham village of Nok in Kaduna State of Nigeria, where their terracotta sculptures were first discovered in 1928. The Nok peoples and the Gajiganna peoples may have migrated from the Central Sahara, along with pearl millet and pottery, diverged prior to arriving in the northern region of Nigeria, and thus, settled in their respective locations in the region of Gajiganna and Nok. Nok people may have also migrated from the West African Sahel to the region of Nok. Nok culture may have emerged in 1500 cal BCE and continued to persist until 1 cal BCE.

Nok people may have developed terracotta sculptures, through large-scale economic production, as part of a complex funerary culture that may have included practices such as feasting. The earliest Nok terracotta sculptures may have developed in 900 BCE. Some Nok terracotta sculptures portray figures wielding slingshots, as well as bows and arrows, which may be indicative of Nok people engaging in the hunting, or trapping, of undomesticated animals. A Nok sculpture portrays two individuals, along with their goods, in a dugout canoe. Both of the anthropomorphic figures in the watercraft are paddling. The Nok terracotta depiction of a dugout canoe may indicate that Nok people used dugout canoes to transport cargo, along tributaries (e.g., Gurara River) of the Niger River, and exchanged them in a regional trade network. The Nok terracotta depiction of a figure with a seashell on its head may indicate that the span of these riverine trade routes may have extended to the Atlantic coast. In the maritime history of Africa, there is the earlier Dufuna canoe, which was constructed approximately 8000 years ago in the northern region of Nigeria; as the second earliest form of water vessel known in Sub-Saharan Africa, the Nok terracotta depiction of a dugout canoe was created in the central region of Nigeria during the first millennium BCE.The function of Nok terracotta sculptures is still unknown. For the most part, the terracotta is preserved in the form of scattered fragments. That is why Nok art is well known today only for the heads, both male and female, whose hairstyles are particularly detailed and refined. The statues are in fragments because the discoveries are usually made from alluvial mud, in terrain made by the erosion of water. The terracotta statues found there are hidden, rolled, polished, and broken. Rarely are works of great size conserved intact making them highly valued on the international art market.

The terracotta figures are hollow, coil built, nearly life sized human heads and bodies that are depicted with highly stylized features, abundant jewelry, and varied postures.

Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Margaret Young-Sanchez, Associate Curator of Art of the Americas, Africa, and Oceania in The Cleveland Museum of Art, explains that most Nok ceramics were shaped by hand from coarse-grained clay and subtractively sculpted in a manner that suggests an influence from wood carving. After some drying, the sculptures were covered with slip and burnished to produce a smooth, glossy surface. The figures are hollow, with several openings to facilitate thorough drying and firing. The firing process most likely resembled that used today in Nigeria, in which the pieces are covered with grass, twigs, and leaves and burned for several hours.

As a result of natural erosion and deposition, Nok terracottas were scattered at various depths throughout the Sahel grasslands, causing difficulty in the dating and classification of the mysterious artifacts. Luckily, two archaeological sites, Samun Dukiya and Taruga, were found containing Nok art that had remained unmoved. Radiocarbon and thermo-luminescence tests dated the sculptures to a range of dates between about 2,900 and 2,000 years ago, making them some of the oldest in Western Africa. Many further dates were retrieved in the course of new archaeological excavations, extending the beginnings of the Nok tradition even further back in time.

Because of the similarities between the two sites, archaeologist Graham Connah believes that "Nok artwork represents a style that was adopted by a range of iron-using farming societies of varying cultures, rather than being the diagnostic feature of a particular human group as has often been claimed."

Nok people may have developed terracotta sculptures through large-scale economic production. Among Nok terracotta sculptur